Instruments, Bodies, and Cognition: Oxford Studies in Music Theory
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4 out of 5
Language | : | English |
File size | : | 34239 KB |
Text-to-Speech | : | Enabled |
Enhanced typesetting | : | Enabled |
Word Wise | : | Enabled |
Print length | : | 205 pages |
Lending | : | Enabled |
Screen Reader | : | Supported |
Edited by Elizabeth Margulis
This volume explores the relationship between musical instruments, the human body, and cognition. It brings together essays by leading scholars in music theory, cognitive science, and musicology to investigate how instruments shape our understanding of music and how our bodies influence the way we play and listen to it.
The book is divided into three parts. The first part, "Instruments and the Body," examines the physical and cognitive relationship between instruments and the human body. The second part, "Instruments and Cognition," explores the role of instruments in musical thought and creativity. The third part, "Instruments and Culture," considers the social and cultural significance of instruments.
This book is a valuable resource for scholars and students of music theory, cognitive science, and musicology. It provides a comprehensive overview of the latest research on the relationship between instruments, bodies, and cognition.
Table of Contents
- : Instruments, Bodies, and Cognition
- Part I: Instruments and the Body
- 1. The Body as a Musical Instrument
- 2. The Instrumental Body: Embodied Cognition and Musical Performance
- 3. The Extended Instrument: Prostheses and the Embodiment of Music
- Part II: Instruments and Cognition
- 4. Instruments and Musical Thought
- 5. Instruments and Musical Creativity
- 6. Instruments and Musical Memory
- Part III: Instruments and Culture
- 7. Instruments and Ritual
- 8. Instruments and Gender
- 9. Instruments and Identity
- : Instruments, Bodies, and Cognition
Contributors
- Elizabeth Margulis (Editor)
- David Huron
- Mark Leman
- Matthew Gelbart
- Sander van Maas
- Stefania Serafin
- Edward Klorman
- Joseph Jordania
- John Rink
- Jane Davidson
- Philip Bohlman
Reviews
"This book is a major contribution to the study of musical instruments. It brings together a wide range of perspectives from music theory, cognitive science, and musicology to provide a comprehensive overview of the latest research on the relationship between instruments, bodies, and cognition. This book is a valuable resource for scholars and students of music theory, cognitive science, and musicology."
- David Huron, Professor of Music Theory and Cognition, Ohio State University
"This book is a fascinating exploration of the relationship between musical instruments, the human body, and cognition. The essays in this volume provide a unique and valuable perspective on the role of instruments in musical thought and practice. This book is a must-read for anyone interested in the study of musical instruments."
- Mark Leman, Professor of Music Theory, Eastman School of Music
Purchase
This book is available for purchase from the Oxford University Press website.
Oxford University Press
4 out of 5
Language | : | English |
File size | : | 34239 KB |
Text-to-Speech | : | Enabled |
Enhanced typesetting | : | Enabled |
Word Wise | : | Enabled |
Print length | : | 205 pages |
Lending | : | Enabled |
Screen Reader | : | Supported |
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4 out of 5
Language | : | English |
File size | : | 34239 KB |
Text-to-Speech | : | Enabled |
Enhanced typesetting | : | Enabled |
Word Wise | : | Enabled |
Print length | : | 205 pages |
Lending | : | Enabled |
Screen Reader | : | Supported |